Unpopular Opinions

I have no friends and I despise my family. I would never waste my precious free time on them. My wife and my dog are all I need. My most meaningful relationships aside from that are on this forum.

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Aw that sounds awful :frowning:

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Not really, it’s quite liberating to keep your circle of trust very small and just dispense with the rest of the muck that is humanity.

The blood of the covenant is thicker than the water of the womb.

I may be about to really kick a hornets’ nest on this one, but…

…

I liked John Travolta in Battlefield: Earth. I don’t like Battlefield: Earth, but I like Travolta’s role. His over-the-top portrayal of an alien that wouldn’t be imposing even in season two of Star Trek: The Next Generation, was actually perfect for movie so ridiculous and terrible, and was the only enjoyable thing to find in that train wreck.

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That isn’t controversial at all, Travolta is like the one thing everybody who has ever seen Battlefield Earth can agree on is the most entertaining thing about the movie.

Alongside the shitty Dutch angles and ties to the Church of Scientology he is the most talked about thing about the movie.

This is a huge step down from your Wham-based opinions last year.

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Because this one is actually opinion. I just don’t get why he gets so much shit talked about the downturn in his career due to this role. He’s had worse roles in better movies.

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They should adapt that book Scientology claims kills you if you aren’t Scientological(?) enough to comprehend it. Excalibur has to be absolute ass if being Tom Cruise rich and John Travolta stupid is the barrier to read it.

Dunno if unpopular per se but, I despise when stealth focused games have missions and/or sections that throw said stealth out of the window with forced fights and then expect for you to go all non-lethal in said armed confrontations if you want the S rank or whatever rank is the best possible in the game.

Thankfully Hitman and Splinter Cell (the old ones at least) tend to skip this and let you fight without judging you for going the lethal route in a mess where is the sensical option, encouraged and the game ultimately forced on you. The worst offender is Metal Gear, that if you went for those Big Boss and S ranks, they expect you to KO people who are very aware of your presence and actively doing their best to fill you with lead.

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I hate it when anyone or anything in the entertainment sector uses the term ā€œreturn to the roots,ā€ in all its various permutations. This, to me, is a coded phrase that essentially means this thing being discussed isn’t as popular anymore, so we’re gonna try to recapture the original magic by making a new thing that’s sort of like the old thing and hope that it works.

The latest example I saw being an article that says Steven Spielberg’s next project will be ā€œa return to the director’s roots.ā€ And I have to ask, what the fuck does that even mean? He’s gonna make another shark movie? Another story of friendly aliens interacting with curious humans? What precisely are the roots he’s returning to that signify he’s currently out of steam at this time in his career? At this point, this whole going back to the roots thing has become as much a cliche’ as sequels and reboots.

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Don’t know if it’s unpopular, although it probably would be, as it would be yet another case of a white actor playing a Western Asia character, and I’m normally against that, but I’ve always believed that Robert O’Reilly would have made a fantastic Ra’s al Ghul in a Batman live action film, based on his performance as Gowron on Star Treks The Next Generation and Deep Space Nine. Tell me you don’t see it.

Apparently, based on my incredibly brief internet research, the population at large doesn’t know what the term ā€œplot holeā€ means. In order for something to be a plot hole, it must contradict the logic of the world established by a film, book, or other narrative. It doesn’t mean ā€œthing I don’t understandā€ nor does it mean ā€œthing the author simply didn’t explainā€.

Notable examples of ā€œplot holesā€ that are not actually plot holes:

The eagles not flying the ring to Mordor… not a plot hole.
The kick to the face at the end of Karate Kid… not a plot hole.
Doc not using the gas from the Delorean in the mine… not a plot hole.

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I have to question that one for Karate Kid, as it was explicitly stated that such a move was not allowed, and yet he won. I haven’t seen an argument explaining it.

Read the scripts for both The Karate Kid and The Karate Kid 3.

In the first movie (the one where Daniel actually kicks Johnny Lawrence in the face), the only rules that are explained are (by Ali):

ā€œEverything above your waist is a point. You can hit the head, sternum, kidneys, ribs. Got it?ā€

In the Karate Kid 3, before the final fight between Daniel and Mike Barnes, the referee states:

ā€œYou both know the rules. Light contact is allowed to the body, and I do mean light, Mr. Barnes. No face contact is allowed. Any violation of the rules will result in a penalty point.ā€

Ergo, the kick was completely legal in the Karate Kid but would have been illegal in the Karate Kid 3. Not a plot hole.

I’ll have to rewatch that scene. I’ve admittedly only watched it once.

It’s very commonly cited so you’re not unusual in that regard. Those movies came out a long time ago and people conflate 1 and 3 together, I think.

I’m pretty sure that because it worked well as a climatic point when people did a contrarian analysis to show Daniel as the bad guy. Those were pretty popular on YouTube for a while.

A lot of people don’t seem to understand the intricacies of lying and not lying.

You are not lying if you tell someone something that isn’t true, unless you are aware at the time you tell them that it’s a lie.

I hear people say all the time, after telling someone else something incorrect, and then they say ā€œno, wait, I’m lying, blah blah blah.ā€ And it’s so annoying. You’re not lying, you’re just wrong. It’s ok to say ā€I’m wrong,ā€ it’s better to be wrong than a liar.

If you tell someone something that someone else told you, and you believed what they told you and passed that information on in good faith, you’re not lying then either; you are spreading a lie, but you yourself are not a liar.

A lie of omission is usually not a lie. This one is trickier because it really depends on the situation. I’ll use the best analogy I can: imagine someone is about to go fight someone, and they ask you if that person is carrying a knife. You tell them ā€œyes, he has a knife.ā€ Now, the person gets to the fight, and the other person pulls out two knives, and you knew in advance that they were going to have a second knife. You did not lie to the person by omitting the fact that they had another knife, because the person only asked if they had a knife, and you truthfully answered them. If they wanted to know if they had more than just a knife, it is on them to ask follow-up questions, or word their initial question more carefully; you are under no legal or social obligation to give them any more information than exactly what their initial question asked for.

Now, if you answered their question by saying ā€œno, they don’t have a knife,ā€ because you know that they actually have two knives and the question only specifies the foreknowledge of one, then you are lying by omission, because you are misleading them to the wrong conclusion - that the other person has no knife at all - by giving the answer to the question under a greater technicality than the first example in order to deliberately mislead.

A situation like that is a lie by omission; not telling your parents the names of everyone expected to be at a party when they ask who else is going to be there and you only tell them the names of a few of your friends you know will be there is not a lie by omission. It is on the question asker to word their questions carefully and ask for clarification.

That’s sarcasm.

The person passing the info should say; ā€œWell, I heard from Bob/Sally that bla, bla, bla.ā€

In this instance the person answering should’ve put emphasis on the ā€œaā€. Also, say it in a way that feels like it has an open end… As if there were more to add to the phrase/sentence. If the person that asked didn’t pick up on that - that’s on them. Although, in the case of a knife fight or some other potentially dangerous situation, the person not readily divulging critical info such as the example given, to me, seems like a malevolent a-hole. Or the person that will potentially be getting knifed deserves it… I dunno.

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Irrelevant. It’s the wrong thing to say, and repeated use of terms leads to changes in the language, and we don’t need to be making lying and being wrong interchangeable.